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Keyboard Maestro is engineered by Stairways Software Pty Ltd and distributed by FastSpring.

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Once the trial period ends, a license must be purchased to continue using it.

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Keyboard Maestro is free to try with no limitations.

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Keyboard Maestro requires a Mac running OS X Yosemite 10.10.0 or later. Keyboard Maestro also includes a powerful Application Switcher and Window Switcher so you can cycle through applications or windows, closing, hiding, launching, and more as well as an Application Launcher that lets you quickly launch applications. Keyboard Maestro comes complete with a clipboard history, saving everything you copy for later use so you’ll never lose something on your clipboard again, as well as named clipboards where you can store commonly used images or text. You simply define what you want your Mac to do and when you want it done.

Using Keyboard Maestro’s powerful Macros, you can make your Mac behave the way you want it to behave – open documents when and where you want them, type sentences with the press of a key, expand abbreviations into entire paragraphs, control web applications, and much more. The only limit to Keyboard Maestro is your imagination! Best of all, every macro you create is available using simple keystrokes you choose or a variety of other triggers. For example, your macros could help you navigate running applications or work with an unlimited number of clipboards. Keyboard Maestro enables you to create or record custom macro shortcuts that you can activate at any time.

( capitalphilharmonic.Keyboard Maestro will take your Macintosh experience to a new level. And now Trenton’s Capital Philharmonic of New Jersey and violinist Samuel Thompson will give what the group is calling the East Coast premiere of her Violin Concerto No. The Philadelphia Orchestra played a movement from her Symphony No. Price, an African American composer who died in 1953, is getting some long-overdue attention lately from performers and critics. (, 21)įlorence Price Violin Concerto No. Popular American songs and spirituals form the program’s second half. In the program’s first half, they’ll sing individually (Mozart, Donizetti), and then together (“Au fond du temple saint” from Les Pêcheurs de Perles, among others). The better part of Philadelphia’s operatic power structure will be represented when tenor Brownlee, artistic adviser to Opera Philadelphia, and bass-baritone Owens, newly named co-chief of the opera department at the Curtis Institute of Music, take the stage together with pianist Craig Terry. The Mendelssohn Club ends its season with Tan Dun’s Water Passion after St. New music finds its sturdy voice this spring, with Bowerbird hosting New York-based Ekmeles Vocal Ensemble promising “music with spiritual focuses as diverse as Sufism, silence, cooking, and humor.” Really. 8, Opera Philadelphia brings the oddly enchanting shimmer of Britten’s A Midsummer Night’s Dream to the stage in Robert Carsen’s venerable staging. Opera Philadelphia delves into Puccini’s incredibly emotional score in a production that, using images lifted from the walls of local museums, stirs hometown pride. If there is such a thing as perfection in music, La bohème is it. Singers worshiped elsewhere are imported by the Philadelphia Chamber Music Society: plush mezzo Isabel Leonard in Bernstein, even more plush mezzo Sarah Connolly in core song repertoire, Lawrence Brownlee and Eric Owens together and apart in bel canto and spirituals. One of the unquestioned laws of the musical world, Edith Wharton observed in The Age of Innocence, is that “German text of French operas sung by Swedish artists should be translated into Italian for the clearer understanding of English-speaking audiences.”īorders have never been of much use in music, and the human voice casts a bright, if diffuse, spotlight this spring in Philadelphia.